Showing posts with label Eminem. Show all posts
Showing posts with label Eminem. Show all posts

Thursday, January 10, 2008

No. 317: The Eminem Show


Band: Eminem
Album: The Eminem Show
Why Rolling Stone gets it right: Eminem's ability to get introspective reaches its peak, as the rapper examines his impact on society, his own history and his fanbase.
Why Rolling Stone gets it wrong: With the wealth of producers, the album sounds sporadic and distant. Em's flow is meaner and more aggressive as he appears to have lost his sense of humor sometime along the road to fame.
Best song: "Without Me" has a nice beat, but the lyrics are sort of annoying. "Say Goodbye Hollywood" actually is pretty good.
Worst song: I really don't like "Cleaning Out My Closet."
Is it awesome?: Nope.

I don't really know where to put this -- it has absolutely nothing to do with this particular album -- but since I have the floor, I wanted to vent about two things I see on other Web sites' comment sections.

The first is an extension of my annoyance with "IM talk" as a way of communicating. Every once in a while, you'll see someone write "effing" or "eff" in a blog post or comment section.

This is fucking stupid.

The reason that one says "eff" or "effing" is because they are trying to use a verbal version of "f" or "f-ing." It's pretty simple; They are simple naming the letter to invoke a bad word. While this annoys me a little in speech (we're all adults and bad words are still just words), I have a potty mouth. That particularly thing may be a Ross problem.

Nevertheless, when you're typing and you're self-censoring, what is the goddamned point of writing "effing." First off, "eff" is not a word. "F" is what you would be saying. That's it. If you're writing an e-mail, type "what the f?" Or "What the f--k?" If you're posting a blog comment, say "f-ing." Don't spell it out. It's two more keystrokes.

People I know and like do this, which makes it even worse.

The second annoyance is a speech pattern-type thing. I was toiling around the Tubes, reading about baseball and came upon this comment on an ESPN.com story:

Jim Rice, The Goose, The Rock, Andre Dawson - all should be in the Hall of Fame. There should be a way to enshrine at least 5 players a year. I don't like the present system. But that is just my opinion.


(Emphasis is mine)

Few things annoy me more than "That is just my opinion." It's one of those speech/typing crutches that take any and all weight of your opinion. I know people who say it are trying to be polite and not forceful, but, goddamnit, this is the Internet. There is no room for being polite. None.

Moreover, have you ever seen anyone in any particular position of power say "That is just my opinion?" By it's nature, that sentence makes anything you say totally forceless. Have you ever seen a presidential candidate say "It's just my opinion, but everyone should have health care?" Of course not. Has Osama bin Laden ever said "The United States is the great Satan. That is just how I feel?" Of course not. No one would take him seriously if he did.

More importantly, it's repetitive. We know it's your opinion. Your name (or login) is attached to it and it's a blog comment. You're expressing an opinion with the word "should." No right-minded person would look at that as fact, and if that person did, he or she is a moron.

OK, I'm done ranting.

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"The Eminem Show" is Eminem's third album and the one where he looks the most inward. Normally, I'd love the full fruition of an introspective rapper like Em, but it's also the point where Em gained more creative control of the beats on his records. So, we have Em twiddling knobs and losing his sense of humor.

Introspection, in his case, appears to just be an exploration of Em's victim complex and his massive ego. That's fine; Eminem is a rapper. That's what they do. Still, it's obnoxious and his worst record so far.

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"White America" is the album's opener (for all intents and purposes) and is something of a campaign speech for Eminem. That he mentions that he could be someone's kid and that TRL loves him in the hook is Em's best asset; He knows that being white has really helped him and he scares a lot of people. I enjoy that Em touts free speech -- I'm a free speech absolutist -- but that he is so excited about how Congress is out to get him is annoying.

It's a theme that Em works through on nearly every track. "Soldier" is the classic gangsta rap record that just sounds unconvincing. The best beat on the record is on "Without Me," but, unfortunately, Em spends the song mentioning that he's going to kick the asses of a member of *NSync, the folks in Limp Bizkit and Moby (also, calling Moby a "fag." Classy, Marshall.) and saying that the rap world is "empty without me."

(Note to Em: The rap world has been fine without you the past few years. Ghostface has put out two amazing records and your protege 50 Cent has put out some fine music. Lupe Fiasco is smart and clever and Kanye West has taken Euro disco and sampled it for hip hop. So, really, no, it's not empty without you.)

Em avoids "the world is out to get Em" storyline, as he raps in "Say Goodbye Hollywood," which is good, but that ability doesn't gain enough traction, partially thanks to some questionable beats. "Cleaning Out My Closet" is another song wherein Em sounds vulnerable -- something most rappers don't do often -- but the beat is some sort of staccato thing that doesn't compliment the lyrics.

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You know, the farther Em gets away from Dr. Dre, the most his beats tend to stray. His lyrics continue to be interesting, if mostly humorless (the "This shit's about to get heavy/I just settled all my lawsuits. Fuck you, Debbie!" couplet notwithstanding). It's too bad, because Em is talented, he just takes himself too seriously sometimes.

Tuesday, December 11, 2007

No. 273: The Slim Shady LP


Band: Eminem
Album: The Slim Shady LP
Why Rolling Stone gets it right: Eminem's popularity is hard to argue and his ability as a rapper is also up there. This first record has most of the great Eminem qualities (humor, verbal flexibility, etc.) without a lot of his bad qualities (unabashed, unfocused anger, homophobia, etc.). Moreover, the beats are excellent, thanks to Dr. Dre's production.
Why Rolling Stone gets it wrong: It's certainly misogynist. The overwhelming influence of Eminem's wife Kim on the record is obnoxious and really takes away from Em's copious ability.
Best song: The lead singles -- "My Name Is" and "Guilty Conscience" -- are incredibly clever. "My Fault" is tons of fun, despite its mostly dark context.
Worst song: "Cum On Everybody" and "Rock Bottom" aren't very good.
Is it awesome?: It is certainly his best, in my eyes.

I'm way late on getting my feelings on Eminem up on the Internet. In fact, Eminem has been out of the limelight now for a few years, as his last record was released in 2003. The rumor remains that he has retired, though I imagine that is greatly exaggerated.

Nevertheless, Em is easily the best white rapper ever to come along. It's not even close. The Beasties do some things well, but they are so very worn (and do an 80s version of rap music).

But, Em... He's just so clever.

From "My Name Is":
Stop the tape! this kid needs to be locked away!
Dr. Dre, don’t just stand there, operate!
I’m not ready to leave, it’s too scary to die
I’ll have to be carried inside the cemetery and buried alive
Am I comin or goin? I can barely decide
I just drank a fifth of vodka -- dare me to drive?
All my life I was very deprived
I ain’t had a woman in years, and my palms are too hairy to hide


From "Guilty Conscience":
Okay! Thought about it, still wanna stab her?
Grab her by the throat, get your daughter and kidnap her?
That's what I did, be smart, don't be a retard.
You gonna take advice from somebody who slapped Dee Barnes?!


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And what of it? There's a lot of culture that is made by brilliant people who also had some, uh, questionable morals. That stuff is here. He's misogynist, he spouts "faggot" more than once and he proposes violence

Here's the question: Why scrutinize Em for this when all three of those things (violence, sexism and homophobia) are standards of rap music?

I love Jay-Z and I don't love Eminem. And, really, there isn't a whole lot of difference in the two, skills-wise. Jay is better at working with better producers and making hook-heavy records. Eminem seems to have a clever lead single from each of his records.

But, the B.I.G.s and Jay-Zs of the world toss around "faggot" somewhat often and we all know that a gun takes a starring role in their songs more often than it should. And, come on. "Money, Cash Hoes" was one of Jay's singles. "Big Pimpin'." That sort of thing.

So, I hate to go down this path, but do we hold Eminem to a higher standard because he's white?

I'd suggest he does. GLAAD doesn't do a lot of demonstrating around, say, Beanie Man's concerts. Women's groups don't often send out press releases about, say, Snoop Dogg. The rap discussion often centers around Emimen.

So, yes. I do think he's scrutinized more than other rappers because he's white. But, his success is also largely because he's white; The focus on Eminem is there because he's white. It's pretty simple human nature; People identify more with those who look like them. He's a fantastic MC, but he's not the best.

Also, in regards to the violence, at what point are we talking about hyperbole?

For example, "97' Bonnie & Clyde" is a cool little song, if you don't listen to the lyrics, but one that is reprehensible if you do (despite how clever it is). Is it something like the "Hostel" and "Saw" movies, where the violence is so hyperbolic that you can't take it seriously. Em, on some level, is assuming a character and acting out his murderous fantasies (that's what they are, simply fantasies) on the record.

I don't know. And I'd love to just lambaste him, but he might be smarter than that.

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It goes without saying that he has every right to say whatever the hell he wants. I'm a first amendment absolutist. I agree with Melissa Etheridge on Em, he's hurtful, but he's massively talented and freedom of speech is freedom of speech.

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One more thing to remember: Eminem is a rapper. He's not a producer. The best possible thing any rapper can do is hook up with a great producer at the helm. There are, of course, few greater than Dr. Dre. Dre makes this record sound so bouncy and so fun. Em's production on other artists' records (the track he did on 50 Cent's debut is the prime example) has a totally different -- and worse -- feel. Dre can basically spin gold.

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All that aside, the record's humor is what makes this record better than his later records. Instead of "What I Am" -- a misguided and bitter song -- Em's humor comes out in the semiautobiographical song "My Fault." The song recounts a party in which Em gives a girl mushrooms (she takes the whole bag), she has a bad trip and starts revealing a lot of personal stuff.

And that's the type of Em I think we all want. The idea of having a smart, funny, somewhat introspective rapper is great. Even the really violent, sexist stuff ("Bonnie and Clyde '97" comes to mind) is still clever. White or black, it's too bad that Em has gone away from that. He'd be better served to go back to that Eminem.